Do Son Buffalo Fighting Festival - Hai Phong City Festival

Thousands of people annually gathered at the stadium of Do Son Town, Hai Phong City to witness the attractive performances of buffalos within the Do Son Buffalo Fighting Festival, an outstanding and unique festival one in Vietnam which is associated with different legends.

One of the legends has it that long time ago, one Creator caused a severe drought. All living things looked toward the sea, praying for Creator’s favour. In the most miserable moment, suddenly, people saw two buffalos fighting fiercely on the wave crests and the rains started to pour down, revive all creature. The local people organise the fighting performance annually to show, not only their great gratitude for the Sir Buffalo but also their desire for the immortal vitality and strength of coastal people of Haiphong. Being held officially and annually on the ninth day of the eighth month of the lunar calendar since the 18th century, the festival is a chance for local people to pray for prosperity and happiness.

The preparation for this buffalo fighting festival is an elaborate process, from the 5th and the 6th lunar month itself. The competing buffalos must be carefully selected and methodically trained months in advance of the festival. These buffalos, that had experienced the qualifying round, must be between 4 and 5 years old, with a good appearance, a wide chest, a big groin, a long neck, an acute bottom and bow shaped horns. The selected buffalos, after all the elimination rounds, are fed in separate cages to keep them from contact with common buffalos.

Buffalo fighting performance

The beginning of the worshipping ceremony lasts until lunch time. Do Son Buffalo Fighting Festival takes off with a colorful procession with an octet and a big procession chair, carried by six strong young men. The chosen buffalos, covered with red cloth and red band around their horns, are taken to the fighting ring by 24 young men, from each side dressed in red. The young men dance and wave flags as the two teams of troops take their positions in the fighting ground. The dance was mingled with the ebullient sound of drums and gongs, bringing a hectic atmosphere to the festival. After this event, a pair of buffalos is led to opposite sides of the festival grounds and is made to stand near two flags called Ngu Phung. As soon as the right signal is released, the two buffalos are led into the fighting circle. At the next signal, the two leaders release the ropes that are attached to the noses of the buffalos. With well-practiced movements, the buffalos rush into each other, using their fighting skills to decide the right to enter the next match while the spectators shout and urge the fighting along. Then, the winning buffalo goes to the next round till the final winner emerges. The matches varied in terms of time, depending on the strength and stamina of the buffalos. At the completion of the fight, the spectacle of "receiving the buffalos" is very interesting as the leaders must then catch the winning buffalo to grant it its reward.

The Buffalo Fighting in Do Son is traditional festival of Vietnam attached to a Water God worshipping ceremony and the "Hien Sinh" custom. The ceremony is held in every village and chaired by its patriarch to pray for the victory at the buffalo fight, typically express the martial spirit of the local people in Do Son, Hai Phong. In recent years, this traditional festival attracted not only local residents but also thousands of domestic and international tourists.

Source: Vietnam tours

Co Loa Festival

Annually held after Tet Holiday, Co Loa Festival pays homage to King An Duong Vuong who built the Au Lac Kingdom and the Co Loa Citadel to fight the battle against enemies in III B.C.

Co Loa Festival

Taking place from the 6th to the 16th day of the Lunar New Year at An Duong Vuong temple in Dong Anh District, on the outskirts of Hanoi, Co Loa Festival based on the legend of An Duong King of Au Lac and his magic crossbow. According to the legend, Genius Kim Quy, a Golden Tortoise, gave Thuc Phan (An Duong Vuong) a magic crossbow which could kill tens of thousands of enemy soldiers at a shot. However, the King’s daughter My Chau told the secret of her father's magic crossbow to her husband Trong Thuy, the son of rebel Chinese general Trieu Da, and thereby unwittingly enabled Trieu Da to conquer Co Loa in 208 B.C. Learned of the reason for his defeat, King An Duong is said to have killed his daughter and then committed suicide. Nowadays, in Co Loa citadel, there exists many vestiges still reminding you of the episodes of the legend.

Visiting Co Loa on the 6th of the 1st lunar month, you will have the opportunity to take part in Co Loa Festival organized by the 12 hamlets of the village. Thuc Phan An Duong Vuong was remembered for building Co Loa citadel and for ruling Au Lac for 50 years, 3^rd century B.C. Besides the ceremonial rites in honour of King An Duong Vuong at the Upper Temple, there is an imposing and solemn procession of 12 palankeens going round the Trong Thuy Well to the Village gate. Moreover, in the festival, people also put a lot of effort into celebrating traditional activities.

On the afternoon of the 5^th day of the first lunar month, all of the eight communes (including Co Loa Commune and the establishing relations between seven communes) hold the incense offering ceremony at the communal house. At Thuong Temple, village officials and mandarins hold the similar ceremony and revise the King’s contributions and achievements. The official festival day, which is on the 6^th of the first lunar month, commences with processions of notables from surrounding villages to the King An Duong Temple where a miniature royal court containing an incense burner, a stone tablet and a funeral oration is placed in front of the two altars. The literature procession is preceded by a flag that symbolizes the five elements (metal, wood, water, fire and earth), a musical company, and a sacrifice. This procession featuring two sedan chairs proceeds through the 12 hamlets of Co Loa Commune. One carries a small statue of the King, the other a beheaded statue of his daughter which symbolizes for her punishment. The procession then continues to the Trong Thuy Well and back to the various hamlets, accompanied by firecrackers.

Preceded by the literature procession is a sacrificial ceremony that lasts until 12 p.m. The ceremony takes place in the King's honour, accompanied by traditional music. Next to the ceremony is the procession of 12 villages to take the god from the temple to the communal house so that he can watch the festivities. This is the biggest procession with the participation of all the palanquins. When reaching the main entrance, the palanquins return to their villages. Co Loa’s procession and palanquin do the same rituals once more at the communal house. The festival continues until the 16th day of the first lunar month, with evening fireworks displays, traditional games such as cock fighting, human chess, tug of war, card playing, wrestling, swing, rope climbing, martial arts, flag dancing and archery and performances of ca tru, cheo and tuong.

On the final day of the festival, a grand farewell ceremony will be held at the temple. After the rituals which are the same as in the main festival day, the cult table of god will be returned to the sanctuary. Local people enjoy the god’s favour and expect a year of prosperity and protection from the god. The meaningful festival is always closed with a thanksgiving ceremony.

Source: Vietnam tours

Let’s enjoy Thay Pagoda Festival!

Tourists are always greeted to take part in Thay Pagoda Festival, which is yearly held in a nature-gifted picturesque landscape.

Overview

Well situated in the shadows of Sai Son Mountain, Thay Pagoda lies in a tranquil and beautiful village, which is only around 40km west of Hanoi. The festival, officially held annually on the seventh day of the third lunar month and lasting for at least a week, pays homage to folk hero Tu Dao Hanh. The festival begins with Buddha worshipping and platform running, a religious performance accompanied by traditional music in a solemn atmosphere. Numerous traditional games are played during the festival, the best-known of all the activities is the traditional water puppet show given on Long Tri pond, in front of the Thuy Dinh Temple. After ceremonies for Buddha, you can take a hiking trip through the picturesque countryside which characterizes the region. Moreover, this is the time for you to enjoy hearing many famous legends that enrich the traditional value of this beautiful region.

The legend behind…

The festival takes place in the elaborate pagoda said to be built on the ashes of a Vietnamese folk hero and is especially famous for the performances of traditional water puppetry. It is said that Tu Dao Hanh was a Buddhist monk during the rule of the Ly Dynasty (1010-1225 A.D). Leading a religious life and dying in this very pagoda, he had outstanding merits to the the religion popularization, illness treatment, and water puppetry creation. According to the legend, what makes him mysteriously sainted is that at the end of his life, the Buddhist monk sat in meditation for several months without food and drink and died in that posture. Thereafter, the people put his withered corpse in the building of the Genius for the purpose of worship.

Let’s enjoy the festival!

Several days prior to the festival, Buddhist followers and pilgrims here and there flock to the pagoda, further adding to the boisterous atmosphere of the festival. The Pagoda is cleaned with scented incenses, glistening lighted candles, bringing about a charming scene. Many cultural games and art performances are held during the festival, including Tu Dao Hanh's statue bathing, incense sticks presenting, tablets escorting procession, Cheo (popular opera) performance, chess games, water puppet shows, recital of the feats of Tu Dao Hanh and so on. In particular, you have a great chance to enjoy a water puppetry show portraying the tales of Thach Sanh and Tam Cam, cultural activities and features of rural life such as farm work, duck tending and wrestling.

The Thay Pagoda festival is actually a joint festival of four villages (Thuy Khe, Da Phuc, Khanh Tan and Sai Khe). Although this area has numerous pagodas, the festival is held mainly in Thay Pagoda, which comprises three buildings: ante-chamber, Buddha's Building and Building of the Genius. The statue bathing ritual takes place before the opening of the festival. Buddhist monks and the people participate in the ritual. Pieces of red cloth are used to clean the statues. Those who stand around solemnly hold their hands in front of their chests, whispering Buddhist sutras. When the ritual ends, the holy water the Buddha bestows will be scattered all over the pagoda to wish for bumper crops and prosperous life. The cloths are also torn into smaller pieces to grant attendants as they are thought to have the power of warding off the evils.

The two most noteworthy events and distinctive features of the festival are the procession of the tablets and the water puppet show. The procession of Tu Dao Hanh’s worshipping tablet takes place on the 7th day of the third lunar month. The local population believes that Tu Dao Hanh first learned supernatural powers and became a genius, and later on, embraced Buddhism. Therefore, at the start of the procession, his tablets must be wrapped in a piece of yellow cloth (the colour of the robes worn by priests endowed with supernatural powers) and, on the return trip the same tablets should be wrapped in the brown frock of a Buddhist monk. During the procession, Buddhist nuns take a walk recounting the feats of Tu Dao Hanh, first in learning supernatural magic and then in leading a religious Buddhist life. Noteworthy is that in the procession the tablet and white horse of Da Phuc must go ahead those of the Thuy Khue. Normally the procession comes to the pagoda at twilight. This timing is considered as propitious as it is the time when night takes over from day, when darkness and night come into contact with each other.

Among fascinating games in Thay Pagoda Festival, water puppetry seems to be the most outstanding. The game is the second noteworthy item, a traditional cultural activity related to wet paddy cultivation in the Red River Delta. It is performed in front of the pagoda, on a pond called Long Tri. Tu Dao Hanh is said to be the founder of this artistic performance. This item comprises two basic components: puppets and water. The puppets are products of traditional popular wood sculptures and lacquer painting. The place for the puppet performance is a lake or a part of the river. With its fluid nature and reflections, water can mirror efficiently the numerous changes in the colour of the sky, the mountains, trees and leaves and give a mythical air to the performance. The artists must usually stay inside the water and direct the movement of the puppet through sticks and strings connected. The water puppet shows reflect productive activities - paddy cultivation, duck breeding, fishing, cloth weaving, etc. The shows also draw from folk or classical theatrical plays. Apart from the water puppetry, you'll catch firework spectaculars (mostly bangers), folk singers crooning into microphones and sporting events such as mountain-climbing and rowing.

The Thay Pagoda festival is attractive to many visitors because of the myth surrounding Monk Tu Dao Hanh and his feats, the beautiful scenery and the water puppet shows. They fill the spectators with surprise and pleasure, who also pride in the rich imagination and dexterity of the performers who create in this art. Going to Thay Pagoda Festival is really worth, pilgrims will have an opportunity to revere the relics imbued with the imprints of outstanding monks and men of the past.

Source: Vietnam tours

Elephant Race Festival, Dak Lak

If you have a chance to Dak Lak Province in springtime, you should not miss the Elephant Race Festival, normally celebrated in the third lunar month. Attending the festival, you will be lived in the boisterous atmosphere of the echo of gongs and the spectacular performances of the elephants from the Central Highlands forest.

The Elephant Race Festival is usually held in Don Village or in forests near the Sevepoi River. In preparation for the festive day, people take their elephants to places where they can eat their fill. Apart from grass their food also includes bananas, papayas, sugar canes, corns, sweet potatoes. The elephants are free from hard work to preserve their strength. On the big day, elephants from different villages gather at Don Village. The race track is on even ground, preferably wide enough for ten elephants to stand simultaneously in a line with a length of one to two kilometres. People from near and far in their best and colourful costumes flock to the festival.

With the signal of of tu va (horns made into musical instruments), the mahouts command their elephants to go to the race track, standing in a row at the starting point. The leading elephant stands in front, whirling his trunk and nodding his head in greeting the spectators. Atop each elephant there are two handlers in traditional costumes for generals. The tu va signals the start of the race and the elephants rush ahead, excited by the sound of the drums, gongs, and cheering from the spectators. Upon seeing the first elephant dashing to the destination, the spectators shout boisterously amidst the echoing sound of drums and gongs. At the end of the race, the winning elephants lift their trunks above their heads to wave to the viewers, walk deliberately flapping their ears gently, gazing through half-closed eyes to receive sugarcane from their viewers.

The winning elephant is given a laurel wreath. Like its owner, the elephant expresses its happiness and enjoy the sugar canes and bananas from the festival-goers. After this race, the elephants participate in the competition of swimming across the Serepok River, of tug-of-wars, or throwing balls and playing football. When the race comes to an end, the competing elephants bring back the atmosphere of the festival to their villages. Upon returning to their village, they receive warm welcome from the villagers. Very often, the elephants from Don Village win the prizes as the village has a tradition of training and tending elephants.

The elephant race is the biggest festival in the Central Highlands. Coming here, you will not only feel the martial spirit of the M'nong ethnic people, who are very famous for their bravery and skill in hunting wild elephants, but also the magnificent landscape of the Central Highlands which further stresses the grandiose characters of this traditional festival.

Source: Vietnam tours

Vietnamese wedding ceremony!

The traditional Vietnamese wedding is one of the most important ceremonies in Vietnamese culture with influence from Confucian and Buddhist ideologies. It is a significant day not only to the couple involved but also for both families. Thus, it usually includes quite a few formal ritual observances.

Depending on habits of specific ethnic groups, marriage includes various steps and related procedures, but in general, there are two main ceremonies:

Le an hoi (betrothal ceremony):

Normally, both bride and groom or their parents go to the fortuneteller to see what date and time is best for them. They strongly believe in this date and time so the groom's family and relatives must come on time. Some days before the wedding, they will visit the bride and her family with round lacquered boxes known as betrothal presents. It composes of areca nuts and betel leaves, tea, cake, fruits, wines and other delicacies which covered with red cloth and carried by unmarried girls or boys.

Le cuoi (wedding ceremony):

On the wedding day, the groom's family and relatives go to the bride's house bringing a lot of gifts wrapped in red papers. These gifts are similar to those of the engagement: betel leaves and areca nuts, wines, fruits, cakes, tea ... The persons hold these trays are also carefully chosen, usually they are happily married couples. Ladies and women are all dressed in Ago Dai. Men could be in their suits or men traditional Ao Dai. The troop is usually led by a couple that is most wealthy and successful among the relatives, this means to wish the to-be-wed couples a blessing life together in the future.

The groom's family would stop in front of the bride's house. The leading couple should enter the house first with a tray with wine. They would invite the bride's parents to take a sip. By accepting the toast, the bride's family agrees for the groom’s family to enter their house. The firework is immediately fired to greet the groom's family.

The groom's family would introduce themselves and ask permission for their son to marry his bride. The master of the ceremony (usually a respected person among the bride's relatives) instructs the bride's parents to present their daughter. The bride then follows her parents out. She will wear red traditional wedding ao dai, followed by her bride maids. The couple should pray before the altar ask their ancestors for permission for their marriage, then express their gratitude to both groom’s and bride’s parents for raising and protecting them.

Then, they bow their head to each other to show their gratitude and respect toward their soon-to-be husband or wife. The master of the ceremony would gave the wedding couple advices on starting a new family. Their parents would take turn to share their experience and give blessing. After that, the groom and the bride exchange their wedding rings and receive the gifts from their parents such as golden bracelets, ear rings, necklace... The ceremony is ended with a round applause.

After the wedding ceremony is over, there will be a party at the groom's house. Some traditional Vietnamese wedding party is celebrated at their houses (usually in country-side); other is celebrated in the restaurant. This day is the culmination of desires, day dreams, hopes and anxieties. There is a band to play music during their meal. Some guests are free to sing related wedding songs on the stage to luck the bride and the groom. In the middle of the party, the couple goes to each table to get wishes, congratulations as well as money.

Today, a lot of Vietnamese couples have their wedding ceremony done in Temples or Churches which is very much similar to American and Western style, including exchanging vows and wedding rings. However, they still maintain Vietnamese traditional ceremony in the bride's home before heading to temples or churches.

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Source: Vietnam tours

Yen Tu Festival

A popular saying goes: "Even after 100 years of virtuous religious life, if you don't come to Yen Tu you cannot be called a true religious person". Pilgrimage to Yen Tu Festival in respect of Buddha and sightseeing is so meaningful...

Situated within the immense arched mountain range of north-eastern Vietnam, Yen Tu Mountain in northern coastal Quang Ninh Province bears at its peak the Dong Pagoda: at an altitude of 1,068m above sea level. The beauty of Yen Tu consists in the majesty of its mountains mingling with the ancient and solemn quietness of its pagodas, shrines and towers. Yen Tu has been a centre of Buddhism for many centuries, and is the starting point of the Buddhist sect of Truc Lam. Travellers to Yen Tu Festival to stay away from the mundane and go on a religion pilgrimage in the midst of the mighty nature.

The history...

Under the Ly Dynasty, Yen Tu held the Phu Van Pagoda, with Yen Ky Sinh as its warden. But Yen Tu only really became a Buddhism centre when Emperor Tran Nhan Tong surrendered his throne to establish a Buddhist sect called Thien Truc Lam and became the first progenitor with the religious name Dieu Ngu Giac Hoang Tran Nhan Tong (1258-1308). He ordered building hundreds of constructions, large and small on Yen Tu Mountain for leading a religious life, sermonizing. After his death, his successor, Phap Loa Dong Kien Cuong (1284 - 1330) the second progenitor of Thien Truc Lam, compiled a set of book “Thach that ngon ngu” and ordered the building of 800 pagodas, shrines and towers with thousands of value statues throughout 19 years of religious life. Some famous pagodas are Quynh Lam, Ho Thien. There is the third progenitor of Thien Truc Lam, Huyen Quang Ly Dao Tai (1254 - 1334), in the sermonizing centre of Phap Loa.

Passing through to the Le and Nguyen Dynasties, Yen Tu became the focal point of Vietnamese Buddhism, and was often subject to restorations. It is a meeting place of different styles from various historic periods: visible in the many different designs and decorations that ornate its constructions.

The mountain scenery and beautiful pagodas and hermitages, inspired King Tran Nhan Tong, who reigned over the country from 1279 to 1293, to pass the throne to his son to lead the life of a Buddhist monk at Yen Tu. There, he founded the Truc Lam medication sect, making Yen Tu the country’s leading Buddhist center.

... and the festival

Yen Tu Festival commences annually on the 10th day of the first lunar month and lasts for three months. Tens of thousands of pilgrims begin their journey to the uppermost shrine after a solemn ritual held at the base of Yen Tu Mountain.

During the festival, the people near and far flock to Yen Tu which was regarded as the Buddhist land to show their belief and aspiration or to get rid of all sorrows and sadness. Other go to Yen Tu to do sightseeing and to enjoy the pure atmosphere of a mountain region. Foreign visitors come to Yen Tu to witness a famous beauty spot, a mysterious tourist attraction. Many cultural and historical values are carefully preserved in Yen Tu, where is also home to a rare ecosystem in Vietnam.

In the wide ensemble of vestiges in Yen Tu, there are 11 pagodas and hundreds of shrines and towers. One form of entertainment is to climb the peak to where the Dong Pagoda was built (1,068m above the sea). On the way, you will see pagodas, a tower, a stream and a forest. At the top, after having burned joss-sticks, you seem to be lost in nature somewhere between the sky and the earth. When clear, you can perceive almost all of the northeast area from here.

Dong Pagoda

The route of the pilgrimage from the foot of the mountain to the pagoda is nearly 30 km. The highest point of Yen Tu is Dong Pagoda, which is located 1,068 m above sea level. You can get to Hoa Yen Pagoda at the altitude of 534m by the cable car system recently put into operation and will see on this peak two 700-year-old frangipane trees. From there, you will continue walking up stairs to pagodas of minor note lined up along the path leading to Dong Pagoda. There you will feel like walking on clouds. If the weather is agreeable, from this summit you can admire the dramatic landscape of the northeast of Vietnam.

The complex of historical sites and beauty spots in Yen Tu features various pagodas, shrines or stupas now appearing now disappearing under the thick foliage of the primary show their belief, or doing away with all sorrow and sadness. Others go to Yen Tu to do sightseeing and to enjoy the pure atmosphere of a mountain region. Foreign visitors come to Yen Tu to witness a famous beauty spot, a mysterious tourist attraction. Anyone who makes all the way to the Bronze Pagoda feels the magnificence of Yen Tu and forests. Atop Yen Tu Mountain, one feels like standing by the Heave Gate shrouded in white cloud. On clear days one can have a partial view of the northeastern region...

Source: Vietnam tours